Origin
In 1890 William James observed that we take in far less of a scene than we feel we do. Film editors learned it in practice: continuity errors between shots, such as a glass that refills or a scarf that changes color, routinely slip past audiences. In the 1970s George McConkie showed that words changed during a reader’s eye movement often went unnoticed.
The term took hold in 1997. Ronald Rensink, Kevin O’Regan, and James Clark showed that large changes to a photograph went unseen when a brief blank separated the two versions, and Daniel Simons and Daniel Levin named and reviewed the effect. In a 1998 field study, Simons and Levin swapped a stranger asking for directions for a different person mid-conversation, and about half the people did not notice.
The Effect
People notice a change only when their attention is on the thing that changed at the moment it changes. If the change happens during a blink, a reload, a cut, or a distraction, even a large difference can go unseen, while the viewer feels sure they would have caught it.